Blurb:
Frankie left home ten years ago, abandoning the tall mountains of her small hometown for the tall buildings of the big city. Desperate for a new life, she was happy to escape her overly-critical mother and the Polish-American customs of her past. But after a strange caller informs her of her mother’s sudden death, she’s reluctantly drawn back to the mountains for the first time in a decade. Arriving days before the Scandinavian tradition of Sankta Lucia, the town is aglow with holiday lights and cheer—and the townspeople can’t stop talking about the annual Feast of St. Lucy. When an unexpected blizzard rolls through, revealing the true nature of the feast—and the evil that resides in the mountains—the darkness of her mother’s past is brought to light once again. Caught between tradition and terror, Frankie quickly learns that her mother’s overbearing influence won’t be stopped by her death alone. Taking elements from The Night of the Witches in Polish folklore, and the real tradition of Sankta Lucia, Feeding Lucy is a story of grief, tradition, and the darkness that lives inside of us all. |
Frankie, or Franciska, as her mother calls her, is suffering
through an awkward holiday party at her job when she gets the call that her
mother has died. Frankie had a complex relationship with her volatile mother,
Lucja. The two lived together in an old farmhouse in the middle of nowhere
along with Lucja’s ancient, cranky cat, Zula. Growing up, Frankie felt like her
mother loved that old cat more than her. She doesn’t expect affection from her
mother because it is so rarely given, and eventually stops expecting everything
at all. Lucja is both overbearing and withholding as a mother, obsessing over
everything her daughter does one moment, then punishing her with the silent
treatment the next. Frankie fears disappointing her mother above all else, yet
always seems to do so. Lucja judges everything her daughter does, what she wears,
and even what she displays in her room. She grows to hate Lucja, and gets away
from her the first chance she gets. Frankie moves to the city, gets a job at a
magazine, and joins the local queer scene. She goes no contact with her mother
and forgets all about her until she gets the call. Frankie has no interest in
her mother’s body, or returning to their small town, but the coroner promises
her that Lucja left her a “pretty penny” and she’ll need to come back to her
hometown if she wants to collect the insurance money.
Franciska is from Kolbe, a town built by immigrants all from
the same small village in Poland, whose descendants are determined to keep
their traditions alive. To Franciska, it seems more like they can’t let go of
the past. One of their most important traditions is Sankta Lucia (Saint Lucy’s
Day) a Catholic feast day commemorating the Sicilian
saint who was martyred during the Diocletianic Persecution by the Roman
Empire. Saint Lucy’s Day is held on December 13th and is viewed as a
precursor of Christmas Day. Because the name Lucia is derived from the Latin
“lux,” meaning “light,” and her feast day is celebrated during the darkest time
of year, Saint Lucy’s Day is considered a “festival of light” meant to drive
away the darkness, similar to Diwali
or Hannukah.
Young girls dress up as Saint Lucy, in a white robe with a red sash and a
wreath of candles on their heads. Songs are sung and saffron buns eaten.
Interestingly, Lucia shares her holiday with another Lucy,
the Scandinavian Lussi. Lussinatta, or Lussi’s Night is similar to the legend
of the Wild
Hunt, where Lussi and her band of trolls, witches, and undead spirits would
spend the darkest night of the year searching for unsuspecting humans who had
stayed out too late or not finished their chores. Those who had not finished
spinning yarn or threshing could expect to have their chimneys smashed. Those
who were especially unfortunate would be whisked away by Lussi, never to be
seen again.
And wouldn’t you know it, Frankie has arrived in Kolbe just
in time for the annual Saint Lucy’s feast her mother always organized and the
town’s people are very invested in making sure Lucja’s estranged
daughter attends the feast (red flag number one). But Frankie just wants to get
her inheritance and go back to the city. That is, until she runs into her long-lost
love, Stella, working at the coroner’s office. Frankie is so smitten with her
former girlfriend that she immediately agrees to stay for Sankta Lucia despite
her initial hesitation, and gives Stella a pass for her strange, mercurial
behavior (red flag number two). She only briefly wonders how it’s possible that
Zula, who was already an old cat when Frankie was a child, is still alive (red
flag number three). Even the disturbing visions Frankie starts having during
the day, and the horrible nightmares when she sleeps, don’t clue her in to the
fact that something is deeply wrong in Kolbe.
I appreciated the depiction of Lucja and Frankie’s dysfunctional
relationship. The more we learn, the clearer it becomes that Lucja is
emotionally abusive to her daughter, but as is often the case when there’s no
physical component, the abuse is not immediately obvious. Lucja uses guilt to
manipulate and control her daughter, alternating between coldness and gentle
affection. Her love is conditional and young Frankie feels like she has to earn
it.
An estranged adult child returning to their small town only to discover the town’s dark secret is one of my favorite horror tropes (seen in such films as Salem’s Lot and Dead Silence), so this was right up my alley. The story has a witchy vibe and a dark, moody atmosphere that makes reading it feel like the calm before the storm (or blizzard in this case). This slow burn horror is perfect for a dark winter’s night.
No comments:
Post a Comment